Hello and thank you for calling in...

My name is Helen and I am a Photographer living in England. I started this Blog on the day that my Grandma died, three months after my Father died and several weeks before a third funeral. Initially it was a very personal way to stay connected to the people I'd lost and it helped, it really did. But writing and taking pictures everyday has opened back up a creative side that I had lost during the everyday. A big thank you to my followers, to those who take the time to comment and to new visitors, I hope we will become Blog friends too...

Friday, 4 November 2011

the colour purple

Thinking again of colour from Wednesdays post, the photograph below works well in black and white because of the impact of the light and shadows and the depth created by the foreground flowers, the middle ground field and the far ground trees.


Add colour and most people would rather look at the picture below as we are so used to looking at flowers as colourful things, that once our eyes see the colour its hard to go back to being without it.



'Lilac Dancing Flowers'

I'm linking in with The Shades of Autumn Photography Challenge and this weeks colour Purple with this photograph as it one of my favourites in my initial portfolio, I think because of its fairytale like quality. It was taken on a very cold frosty morning and these flowers were the first in a winter allotment to catch the first rays of the morning sun, hence the title, as they almost look like they are dancing with happiness at the arrival of the day and the warmth!


Sadly this allotment that I visited to take photographs for a number of years is no longer there. The old man who loved it had been given the small plot to tend on a farmers field, across the road from his remote house in the countryside and this year, when spring came, the farmers crops grew over the land where the allotment used to be and I realised he had gone. It was a sad day. Imagine the thrill one day in late summer when I stopped my car and saw the old mans flowers had returned and were fighting for their space amongst the corn, I wonder how many years they will come back.


I thought about trying to contact his family to give them some of the photographs to remember him by but I never introduced myself to him, I only saw him a couple of times over the years, bent over tending the ground or hurrying back into his house. He didn't seem to welcome intrusion into his world, so to talk to his family would be a little odd. Perhaps I should have posted some through his door while he was still here, as a thank you, as he must have seen me out of his window, parked by the side of the road, snapping away in all weathers.


I read a quote on photography 'Take nothing but pictures, Leave nothing but footprints' and thats just what I did at the allotment, should I have done more?

Wednesday, 2 November 2011

black & white project

The project I set at the latest photography club was black & white photography. I took along a whole lot of objects and left the group to position them and the lighting to produce dynamic shots.

The idea was that arranged well, everyday objects can have huge impact in black & white.

It was so interesting to observe the different approaches of each person and how some objects enthralled and others did not inspire them.



The spoons for example were largely untouched but arranged on a mirror, given a harsh light overhead and a grainy edit afterwards I think they look good.




The cards and dice were most popular along with the dominoes and produced some fabulous shots by the group once we had the lighting right. Arranged on a simple black bed sheet with two small table lamps, the contrast and shadows were thrilling.
Half of the challenge was to be able to envisage how the shots would look in black and white as most of the cameras were taking shots in colour. My SLR can be set to black & white but I knew many of the others cameras couldn't so I had taken mostly objects that were deliberately black and white to make the challenge easier.
But for the second part of the project I'd also taken several brightly coloured objects, such as fruit and this the group found most challenging to arrange into a composition that would be dynamic without colour.

Think about the senses that you are using when you engage with an object, take a strawberry the first sense engaged is sight, you notice first the colour - bright red! Take that away and what else have you got? Smell -but how do you photograph smell? Touch - pick up a strawberry, close your eyes, what do you feel? its texture, little hairs, leafy bits -but how do you photograph that interestingly?

Have a go at photographing an object that is all about its colour but aim for a dynamic shot of it in black & white - its a challenge but it draws you into the process of really bringing out all that objects qualities in a photograph.
An example is this green apple. Take away the colour - what have you got?
Apples are shiny, they are juicy, they are round!


Polish the apple with a tea towel to really bring out the shine, stand it next to a window to emphise the shine or add light by shining a tourch onto it or even as in this shot - both!
The juicy and refreshing quality can be emphesised by spraying it with water. The lighting will make the droplets glisten adding to the effect.

Finally a shadow of an object will show its shape clearly, so stand a piece of card behind the apple and position the tourch to cast a perfect round shadow onto it.
Here is a picture of the very glamerous set used to create the photograph!

Tuesday, 1 November 2011

do I have to choose?

'A Blaze of Glory'




A glorious red image for the Shades of Autumn Photo Challenge at Bumbles & Light




http://www.bumblesandlight.com/shades-of-autumn-photo-challenge/





The tree is in the gardens of Leith Hall in Aberdeenshire, Northen Scotland
http://www.undiscoveredscotland.co.uk/rhynie/leithhall/index.html
I have now visited two National Trust properties in a month, see yesterdays post on Calke Abbey


having not set foot inside one for more years than I can remember.
I used to love period dramas, visiting old sites and houses, Antique shops and of course Antiques Roadshow was never missed. But in the last 10 years my life had gone in a thoroughly modern direction and I have discovered a love for all things minimal and 'happening'



So why this sudden shift back to the past. Its a little odd. The trip to Leith Hall was work (Architectural) and my photography club trip to Clake Abbey was on the recommendation of someone else, so I hadn't really chosen either to waft me back on the winds to my previous loves.

Now I'm in conflict, am I a thoroughly modern Millie or am I an 18th Century candle light chaser?


I can hear my collected bits and bobs unravelling themselves from the newspaper in the garage as we speak but they arn't going to 'go' in my house of all things Habitat and my partner would have a fit if my ink well was positioned next to his modern sculpture - eek, what to do!




And this brings up a contradiction of photography too. We all have our 'Thing That Thrills' the subject I am constructing a lesson about at the moment. The image that we each choose to photograph the most, the thing that gets your pulse racing, gets you out of bed at 5am to go trudging through muddy fields in the dawn mist. And my question is



'can we have the same passion in our photography for two completely different genres'?




How does my love of photographing steel shop shutters glistening in the sun fit with my rekindled love of snapping Ionic columns?



Here is a 'Me Reflected' shot, I was trying to capture the round gates at an interesting angle whilst lost in the magic of Leith Hall gardens and lost in thought over 'what sort of photographer am I?'



Do we have to choose, I hope not!


Sunday, 30 October 2011

a letter by candlelight

Firstly some 'spooky' pictures for Halloween.......

I came across a site that has a pen pal exchange and it reminded me of how much I want to write letters again. Actual letters on writing paper with envelopes and stamps - remember those?

Oh the absolute thrill of receiving a letter from a friend in the post, I wonder how many people still do that. Facebook is wonderful, being able to interact with friends at any time of the day (or night) and of course reconnect with lost school friends. I am going to meet up with some in three weeks, people I haven't seen for twenty years, only talked to on Facebook.
I have letters in my Garage, bundled up in pink ribbon from those friends that we sent to each other when we were all 14 or 15, endless ramblings of how dull our lives were and what they were going to be in the future but we took the time, even though we saw each other everyday, to write, draw little pictures, stick on decorations and spray with perfume. It went on for a very long time, until we left school actually and then we stopped which is such a shame as we were entering a very changing time of our lives and probably the most interesting to write about.
how does all this relate to photography? well it started with the trip to Scotland. Its only when you drive through our little country that you realise that actually its a blooming long way up to the top and we started from the middle. As I said in a previous post I loved our trip to Scotland, the scenery and the colours were magical and although we literally drove to our work appointment and back again over two days, I went along for the few five minute photo stops on the way and during this 'photoshoot' there was a lot of time to think and discuss. It coincided with the anniversary of the Internet (well almost) so, seeing the remote villages in the highlands that are cut off in the winter combined with thoughts of how much the Internet has changed the way we communicate, I began pondering the lost days of letter writing, as those highland villagers would have had to do in the past as their only form of contact with the outside world in those long winter months. This weeks photo shoot with my photography group was at Calke Abbey in Derbyshire, a forty minute drive from my house but I had never been to visit.

http://www.nationaltrust.org.uk/main/w-vh/w-visits/w-findaplace/w-calkeabbey/
So I toddled off thinking we were visiting a grand stately home and I had such a thrilling surprise and one of the most inspiring, moving, magical photography days of my life. Calke Abbey had been taken over by the National Trust in the 1980's when with soaring debts the Harpur Family could no longer see any other way out to save the house which had fallen into a bad state of disrepair.

But instead of restoring the whole house the National Trust have restored the entrance hall and initial rooms only. This is where you begin your tour, ikea like, shepherded around the house on an amazing journey from opulence to decay of the most inspiring kind and this is where the photography opportunities and photograph related musings explode.
The rest of the house has been spring cleaned but in essence left exactly as it was when the Family moved out, peeling paintwork, 18th century wallpaper falling off the walls, the families possessions piled in corners as though Julian Fellowes himself had constructed the set.
And as you walked from the restored rooms to the 'real thing' the lights are dimmed and become less, then turned off altogether, the gorgeous blistered window shutters closed ever so slightly more and more in each room to transport you back into the past.

You feel like your Cora herself hurrying along the cold, dark crumbling corridors, your skirts swishing on the dusty floor and when entering one of the many grand drawing rooms, now stooped under the weight of time passed it makes you want to sit down at one of the dusty wood wormed desks and ......... write a letter by candlelight.

Tuesday, 25 October 2011

Me Reflected Photography Share

This is a photograph of me and my friend on one of our photography shoots, in Stratford-Upon-Avon. She was showing me the shots that she had captured and i suddenly noticed our reflections on the ground, so I snapped the image as our shoots are so valuable to me that I wanted a record of them.
I am myself on those days, with those friends. I am my authentic self, taking photographs. And that got me thinking about the photographs I take. They say you can see an artists authentic self in their paintings and that paintings without that are lifeless, meaningless.Is the same true of photography? Is the picture that we choose to take more than just a collection of things that catch our eye,is it really a window into our soul?
My 'Me Relected Photography Share' is inspired by my love of photography, the way in which it has connected me back to the 'Me' I really am and my curiosity of how it has shaped other peoples lives and journies.
It is a share for people who find themselves reflected in their photographs, be it their own image, their taste or their favourite things, in fact anything that reflects the you that is, inside or out.

This page is all about sharing, in a safe environment, the love of photography and how it relates to you, the joy of enjoying your photography and perhaps healing negatives or nurturing positives in your life. So, if you want to, please leave your thoughts along with your photographs and how each picture relates to you
or leave a link with your photographs to text on your blog.

Add your images to the Me Reflected Flickr Group by clicking on the Me Reflected Flickr Group Link

Share your favourite images inspired by the 'Me Reflected' theme by clicking on the link below and link your images and the blog post they are on.



Sunday, 23 October 2011

Glorious Orange

'Autumn Soup' by Helen Watson-Jones






At Bumbles & Light this week the Shades of Autumn photo challenge colour of the week is Orange




And there was oodles of glorious Autumn orange on my road trip to the North Coast of Scotland this week. Autumn colours are rather non existent in my area but during our 1000 miles in 2 days the colours were stunningly breathtakingly beautiful.


I will be writing a few posts with photographs from Scotland as I am positively gushing about the scenery, rainbows and cheeky little pheasants who loved to have their photograph taken!



Tuesday, 11 October 2011

something interesting to check out









A series of 5 programmes by Adil Ray on BBC Radio 4 following contemporary photographers 'Picturing Britain'




Very intersting and inspiring, the only drawback is that you can't see the pictures they are discussing - a bit frustraiting. I wonder if theres a link to them somewhere, i will investigate.



'Ice Coast' by Helen Watson-Jones